Dimwit's III — The Dimwit's Dictionary, Third Edition by Robert Hartwell Fiske


The Dimwit's Dictionary, Third Edition

With the publication of this third edition, The Dimwit's Dictionary has been in print for more than fifteen years. Few books about words last so long. Almost all the word books that are written today are silly, indeed, insulting, narratives that talk down to people. Books of this sort rarely remain in print for long. You may disagree with the thesis of this book, but I offer a serious argument that has captured the interest of enough people to warrant the release of a third edition.


• Years ago I was head of corporate communications for a dot.com, and the unrelenting geek-speak was rubbing off on my staff. I read about The Dimwit's Dictionary and purchased a copy for each staff member. Aside from the title, which took some explaining, the book made a noticeable difference in the quality of our writing. — Anna Marie Dunlap

• Though I've been writing professionally for more than twenty-five years, I'm having fun reading random entries in The Dimwit's Dictionary: 5,000 Overused Words and Phrases and Alternatives to Them, and its companion volume, The Dictionary of Concise Writing: 10,000 Alternatives to Wordy Phrases, because I need the occasional expert opinion (suspect superlative!) because my prose can suddenly and without warning (a wretched redundancy!) go overboard (a moribund metaphor!) and basically (overworked word!) commit egregious errors (an inescapable pair!) and even lapse into what is really and truly (infantile phrase!) as dead as a dodo (insipid simile!). — Bill Kent, award-winning journalist and author of the six books

• This is not a book that most people would sit down and read as I did, but it is a great and interesting reference! — Stephanie L. Roberts, Joseph-Beth Booksellers

• Your Dimwit's Dictionary has helped me become much more critical of how I write and speak. Thank You, Mr. Fiske! Your work is original because there is no other work which categorizes overused phrases and cliches, and offers concise alternatives. Your title, Dimwit's Dictionary, masks the precision and true noble purpose of your book: to regain a sensitivity to our language so that we may express our feelings and thoughts more accurately and deeply, and become more self-aware as human beings. — Bullwinkle495 (Amazon reviewer)

• 'Manglish' ~ the act of mangling the English language ~ is sadly alive and thriving in the world. And many writers aren't helping just adding to the growing trend of misspellings, tautologies and clichés as well as hackneyed metaphors, inane expressions and bloated or weak writing.

Fortunately, help is at hand. Robert Hartwell Fiske has produced two powerful, literary weapons for protectors of the language ~ The Dimwit's Dictionary: 5000 Overused Words and Phrases and Alternatives to Them and The Dictionary of Concise Writing: 10,000 Alternatives to Wordy Phrases.

The key to good writing, according to Fiske who is also the author and publisher of The Vocabula Review (an online journal about the English language), is concise and precise writing ~ and that's just what he offers with these two excellent reference books.

At first glance, you may be offended by the Dimwit's title ~ what person would buy a book which suggests he or she is a dimwit? Well, after leafing through it, you'll know why you bought it and maybe even refer to some of your past efforts as dimwit. I know I did.

The 400-page book is divided into two parts. The first examines a wide range of examples of lazy and weak writing, showing scribes how to improve useage through better word choices and creativity with the language.

Part two is the dictionary portion of the volume. It offers literally an A to Z guide of thousands of overused words and phrases, and provides fresh alternatives.

As Fiske explains from the outset: "Dimwitticisms are worn-out words and phrases; they are expressions that dull our reason and dim our insight, formulas that we rely on when we are too lazy to express what we think or even to discover how we feel. The more we use them, the more we conform ~ in thought and feeling ~ to everyone else who uses them."

The book arranges dimwitticisms into a variety of categories which include:

Foreign phrases
Grammatical gimmicks
Ineffectual phrases
Inescapable pairs
Infantile phrases
Moribund metaphors
Overworked words
Plebeian sentiments
Popular prescriptions
Quack equations
Suspect superlatives
Torpid terms
Withered words
Wretched redundancies


  You can preorder The Dimwit's Dictionary, Third Edition from Vocabula or Amazon.


• Often entertaining and always enlightening, The Dimwit's Dictionary demystifies English usage, providing a simple-to-use guide on what words and phrases to avoid and how to adopt an exciting, original and succinct approach to your writing.

But don't be fooled by the title ~ this book is not only an excellent reference guide, it's also interesting enough to read cover to cover. Once you begin reading entries, you'll find it difficult to put down — seriously. — Michael Meanwell

• The Dimwit's Dictionary by Robert Hartwell Fiske (Editor of the online journal about the English language: "Vocabula Review") is filled cover to cover with alternatives to over 5,000 tiresome cliche phrases. The entries are of two types. One type offers synonyms for cliche words and phrases, from "Achilles' heel" (foible, deficiency, etc.) to "you name it" (and so forth, and the like). The other type of entry identifies flawed and horribly overused verbal expressions, and categorizes them by type: "zillions" is an infantile phrase; "advice is cheap" is a quack equation; and "nipping at your heels" is a moribund metaphor. The value of this second type of entry is straightforward — if one is using any such phrase in their writing, then reaching for synonyms simply isn't enough; it's time to completely rework the expressed thought. Both types of entries are presented alongside one another in this alphabetized volume. Overall, The Dimwit's Dictionary is easy to use, and should be cover-to-cover reading (not simply used sporadically as a reference, but a page-by-page reading and explicit indoctrination in what phrases to avoid) for every neophyte writer who aspires to effective and memorable writing. — Midwest Book Review

The Dimwit's Dictionary is not exactly a kind book — it will shred every linguistic prop a writer is comfortable with & proud to know & use. Not that I'm proposing writers reinvent the way they write, I am, however, encouraging they use this dictionary to discover how hackneyed their writing might be. It is a litmus test to learn what separates the ho-hum from the memorable; the bland from the interesting.

Discover just how original, or not, is your writing. Learn about Ineffectual phrases, Moribund metaphors & Infantile phrases; Overworked words, Inescapable pairs & Torpid terms; Withered words, Wretched Redundancies & Egregious English; Quack equations, Foreign phrases, Grammatical gimmicks & much, much more!

The Dimwit's Dictionary is an invaluable tool all writers need to have on their tool shelf, not to be taken too seriously or too much to heart, or brain, as is the case, as an author could get dreadfully pompous! — Rebecca Brown

• I am fond of both excellent books by Fiske. The Dictionary of Concise Writing has sharpened my awareness of unnecessary words. And although I have just received it, I can already see that The Dimwit's Dictionary may be just the book I have been looking for. I see two uses for the DD in my work. (1) I teach a communications course for adults in Beijing studying for an MBA degree. They have to write position papers in English and this book can give them more insights into word usage than a thesaurus alone. Also, (2) many Chinese living in the U.S. are stumped by the idioms in our language. For example, when I taught first in China in January 2002, no one knew the meaning of "thinking on your feet." Again, DD can help them understand these stale phrases by discovering fresh alternatives that say the same thing. Idioms keep cultures from communicating. I shall include both books in all my writing bibliographies from now on. — Michael Buschmohle

• The title itself is more than just a little self-righteously pedantic, and the language used within often reflects the title. However, the contents are an excellent reference tool for anyone interested in sparking up their writing. Cliché's, misplaced metaphors, and other identifications made by Fiske occur too often in published books. I personally use this (along with its relative companion, The Dictionary of Concise Writing) with regularity, and have caught myself more than once using language that could use some freshening up. — Jonathan Appleseed

• This delightfully clever though extremely helpful book opens with a section called 'Dimwitticisms' — or in the case of Chapter One, 'Expressions That Dull Our Reason and Dim Our Insight' — that immediately entices further perusing until the reader may realize they are reading every page, and though, while most of books of this type are to be thumbed through, this particular reader had trouble putting it down. Topics' ranging from 'Plebeian Sentiments' to 'Wretched Redundancies' places this reference well beyond usual. Learning the difference between a moribund metaphor and an inescapable pair has never held such enjoyment. Impressively organized and detailed to the nth degree (sorry, I believe that was a moribund no-no), this compilation of wisdom is indispensable to lovers and writers of the English language. There is no word to describe... oops that was a plebeian sentiment, so let me rephrase that. The Dimwit's Dictionary is a great reference book. English majors and aspiring writers take note; you must have this on your reference shelf! You won't regret it. — Denise Clark

• This book taught me a valuable lesson because it reminded me of why I write at all...to touch others with my words and, hopefully, make an impression. This book inspired me to color my world with personal phrases, instead of just black and white cliches.

I didn't know what to expect before I received the book, but I was pleased to find that the book's format is exactly like a dictionary. It couldn't be easier to use, and though the author provides alternatives to overdone phrases, his suggestions sometimes trigger new thoughts. This book is a worthy addition to any writer's reference library. — Patti Cavaliere

• I love this book. It's a great reference for writers. My kids use this book, and I've found them going through it on several occasions. If you're a writer, you need to purchase this book. It gives a freshness to vocabulary and it's very sensible and comprehensible. — Thoroughly Enjoy (Amazon reviewer)


Whereas a witticism is a clever remark or phrase — indeed, the height of expression — a "dimwitticism" is the converse; it is a commonplace remark or phrase. Dimwitticisms are worn-out words and phrases; they are expressions that dull our reason and dim our insight, formulas that we rely on when we are too lazy to express what we think or even to discover how we feel. The more we use them, the more we conform — in thought and feeling — to everyone else who uses them.

Many of the entries in this book are followed by synonyms that may be used in place of the worn-out word or phrase, and by sentence examples taken from a miscellany of publications; others are followed by commentary; and still others by both. But even the mere inclusion of an entry — that is, one unaccompanied by synonyms or commentary — damns it as a dimwitticism.

Read the Foreword by Joseph Epstein:

Foreword

When Robert Hartwell Fiske confronts Saint Peter, I hope he remembers to tell the man that he is the founding editor of The Vocabula Review, the online magazine devoted to contemporary language, its delights and its disasters. Saint Peter will immediately understand that Mr. Fiske has been on the side of the angels and therefore been doing the Lord's work. My worry is that, in reply, Saint Peter will commit one or another of the solecisms, illogicalities, or barbarisms that Mr. Fiske spends his days excoriating and that he will feel the need to correct him, causing him to lose his place on the other side of the gates. Meanwhile, on this side of the gates, to hew to this theological metaphor a bit longer, Robert Hartwell Fiske has been doing a hell of a job.

Mr. Fiske has signed on, evidently for life, for that best of all losing causes, the battle to keep language clear, fresh, free from the pollution of empty jargon, idiotic euphemism, self-serving imprecision, comic redundancy, nonsense generally. He has many famous comrades from among the dead in this battle: Jonathan Swift, H. L. Mencken, George Orwell, H. W. Fowler, Sir Ernest Gowers, and others. And, as I am sure he has discovered, many unknown, still living allies in unexpected places who get quite properly worked up over politicians, advertisers, social scientists, so-called educators, and others attempting to swindle the rest of us through nicely calculated verbal fog.

You are what you eat, the old food faddists used to say. As I read him, Robert Hartwell Fiske is saying that we are, or soon become, what we say and write. Use language slovenly, dully, dopily and we soon ourselves become sloppy, dull, dopey. In The Dimwit's Dictionary, he explains his reigning idea in the first paragraph of his first chapter, when he announces that "Dimwitticisms are worn-out words and phrases; they are expressions that dull our reason and dim our insight, formulas that we rely on when we are too lazy to express what we think or even to discover how we feel. The more we use them, the more we conform — in thought and feeling — to everyone else who uses them." We know soon enough what makes them "dim"; the witticism comes into play because most people who adopt such overworked words as "scenario" or such cumbersome academic locutions as "in terms of" think they are being clever, if not highly sophisticated.

Language mavens come in various intensities of aggression. Some come as a recent graduates of the Gestapo school of language correction; one has only to read them to feel the leather glove sting across one's cheeks, the word schweinhund ringing in one's ears. Some come on as school masters, simply unable to understand why anyone would wish to split an infinitive or end a sentence with a preposition. Some come on as pussycats passing along to us their amazement at the wild and wayward curiosities of language, but always attempting to avoid seeming either formidable or forbidding.

My own favorite among the great language mavens is H. W. Fowler, whose tone I should describe as superior commonsensical. Here, for example, is the great man on those damnable split infinitives: "The English-speaking world may be divided into (1) those who neither know nor care what a split infinitive is; (2) those who do not know but care very much; (3) those who know and condemn; (4) those who know and approve; and (5) those who know and distinguish." Such is Fowler's elevated superiority. Here is his commonsense: "We maintain, however, that a real split infinitive, though not desirable in itself, is preferable to either of two things, to real ambiguity and to patent artificiality." In other words, the Fowler line is, split away before writing anything stupid. But then he adds: "We will split infinitives sooner than be ambiguous or artificial; more than that, we will freely admit that sufficient recasting will get rid of any split infinitives without involving either of those faults, and yet reserve to ourselves the right of deciding in each case whether recasting is worthwhile." Superior, as I say, with a saving commonsense.

Robert Hartwell Fiske's desire — it informs his tone — is to bring us to our senses, to make us understand that "our knowledge of the world expands as our familiarity with words increases" and contracts when we fall back on the categories of ineptitude he has designated the Moribund Metaphor, the Overworked Word, the Plebeian Sentiment, all of which may be said — he, in fact, does say — "blunt our understanding and quash our creativity. They actually shield us from our thoughts and feelings, from any profound sense of ourselves." He is, au fond, a reformer who wants us to be the fully developed men and women we "were meant to be."

But Mr. Fiske's reforming impulse doesn't get in the way of his scorning clichés and trite sentiments. His lists of Overworked Words and of Torpid Terms — "off-putting," "operative," "prioritize," "pursuant to," qualify for the latter category — are there because they "keep us dumb and dispassionate. They elicit the least from us." He also suggests words that he thinks worthy of being revitalized — lovely words such as "bedizen," "bootless," "quondam" — while what he calls Withered Words ought, in the phrase of Paul Valery, the great French critic, to be turned over to the "numismaticians of language" to be put "away in their Cabinets, with many another verbal coin that has passed from circulation."

Robert Hartwell Fiske is a verbal trainer, the linguistic equivalent of the personal trainer one sees in gyms and health clubs. He wants us to trim the fat off our mental life; to knock off those Ineffectual Phrases, Inescapable Pairs, Infantile Phrases, and Wretched Redundancies. He has the relentlessness but none of the dogmatism of the drill sergeant.

Reformer, verbal trainer, drill sergeant, in the end Robert Hartwell Fiske is a fisher of souls, a catcher in the wry, a man who, through looking carefully at language, understands its potency and loathes its power, when misused, for making life more dreary than it ought to be. After noting the spread of flat and predictable language in the contemporary world, he exclaims: "No wonder so many of us feel barren or inconsolable, there are few words that inspire us, few words that thrill or overwhelm us. Persuasion has lost much of its sway, conviction, much of its claim."

Mr. Fiske is, in short, a fanatic, an extremist who apparently believes that clear language is our only hope for clear thought, that dull language deadens the mind and dampens the imagination, that a felicitous phrase is good news, that a strong prose style is a gift to be cultivated and cherished, that nothing, no, nothing in the world exceeds language in its significance to the human enterprise. As it happens, I believe in all this, too, which makes it an honor to salute a fellow fanatic and wish him and his book the great good fortune both deserve.


  You can preorder The Dimwit's Dictionary, Third Edition from Vocabula or Amazon.


Here are a few entries from Dimwit's III — The Dimwit's Dictionary, Third Edition:

a living hell A moribund metaphor. chthonian; chthonic; hellish; impossible; infernal; insufferable; insupportable; intolerable; painful; plutonic; sulfurous; unbearable; uncomfortable; unendurable; unpleasant; stygian; tartarean. The force and colorfulness of this metaphor is no longer evident. An uncommonly used word — such as chthonic, insupportable, plutonic, sulfurous, stygian, or tartarean — is often more potent and captivating than a commonly used metaphor. SEE ALSO hell on earth.

degree A torpid term. Degree — and the superfluity of phrases in which it is found — should be excised from almost all of our speech and writing. No sentence is made more compelling by the use of this word and its diffuse phrases. • I believe he has a very high degree of integrity and takes extreme pride in his workmanship. REPLACE WITH a good deal. • Increased employee morale would require a lesser degree of accuracy. REPLACE WITH less. • Their hopes are based, to a large degree, on signs that business activity is pulling out of its recent slowdown. REPLACE WITH largely. • To a larger degree than was expected, these economically stunted nations can count on help from the 12-nation organization. REPLACE WITH More. • Another realm in which schools of choice can and do differ is the degree to which the staff and parents are involved in the day-to-day operations of the school. REPLACE WITH how much. SEE ALSO extent.

have (take) a listen An infantile phrase. listen. As inane as it is insulting, have (take) a listen obviously says nothing that listen alone does not. Journalists and media personalities who use this offensive phrase ought to be silenced; businesspeople, dismissed; public officials, pilloried.

I can't believe I'm telling you this A plebeian sentiment. Only the foolish or the unconscious, unaware of or ambivalent about the words they use or why they use them, can exclaim I can't believe I'm telling you this. Language use, the essence of being human, entails certain responsibilities — care and consciousness among them; otherwise, it's all dimwitted.

keep smiling A plebeian sentiment. Keep smiling is insisted on by ghoulish brutes who would rob us of our gravity, indeed, steal us from ourselves.

on the back burner A moribund metaphor. deferred; delayed; in abeyance; on hold; pending; postponed; stalled; suspended. • The planned training center in Hanover, NJ, has been on the back burner because of the recession and the club's focus on getting Red Bull Arena completed. REPLACE WITH delayed. • The free trade agreement between Colombia and the U.S. will remain on the back burner because President Barack Obama's priority is passing healthcare reform. REPLACE WITH in abeyance. SEE ALSO place (put) on the back burner.


  You can preorder The Dimwit's Dictionary, Third Edition from Vocabula or Amazon.








Remarks About The Dimwit's Dictionary, Third Edition


Years ago I was head of corporate communications for a dot.com, and the unrelenting geek-speak was rubbing off on my staff. I read about The Dimwit's Dictionary [first edition] and purchased a copy for each staff member. Aside from the title, which took some explaining, the book made a noticeable difference in the quality of our writing. — Anna Marie Dunlap












Send us your remarks about The Dimwit's Dictionary, Third Edition.



Robert Hartwell Fiske is the editor and publisher of The Vocabula Review. Also coming this fall, from Simon & Schuster, Robert Hartwell Fiske's Dictionary of Unendurable English.


Books by Robert Hartwell Fiske
Robert Hartwell Fiske's Dictionary of Unendurable English
The Dimwit's Dictionary, Third Edition
The Best Words
The Dictionary of Concise Writing
Vocabula Bound 1
Vocabula Bound 2
The Dictionary of Disagreeable English
101 Wordy Phrases
101 Foolish Phrases
101 Elegant Paragraphs
Silence, Language, & Society
Speaking of Silence


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